Sword-fighting class blends Eastern, Western methods
Douglas Bailey of Canby
combines Celtic skills found
in original manuals with
Okinawan Shito-Ryu tactics
Thursday, January 13, 2005 The Oregonian by CHRIS EHRLICH OREGON CITY -- As people swim laps at the Oregon City Swimming Pool, a group meets in a nearby room to become warriors.
In a class offered by the city's parks and recreation department, Douglas Bailey teaches students the nearly lost martial art of Celtic sword fighting, as well as the more widely taught unarmed movements of Okinawan Shito-Ryu martial arts.
Bailey, 41, also contrasts Eastern and Western cultures in the class and even recites a bit of poetry.
"I needed something to kind of stir me up, but I also needed something that was kind of spiritual development, too. It sounds corny, but I was hungry for something," said Ryan Brown, 37, a chef from Sandy who has taken Bailey's class since fall.
"It's just a ton of fun," he said. "I feel a lot more centered -- you feel better about yourself."
Bailey, who lives in Canby, said the purpose of his class is to educate people on one of the many forgotten Western martial arts and connect Celtic people to their heritage.
"There are too many people putting on a kilt and picking up a stick and pretending when the texts by the masters are still there. There's no reason this has to be a part of history," said Bailey, who is part English, Welsh, Scottish and Irish.
Bailey's class is accredited by the Association for Historical Fencing, said Jeff Richardson, an association board member who lives in Ashland.
Historical fencing is generally based on original manuals found in major libraries such as the Guggenheim Hermitage Museum in Las Vegas or the British Library, Richardson said.
Modern fencing, on the other hand, focuses less on traditional technique and more on tournament scoring rules.
"Doug's doing a great job up there," Richardson said. "Historic fencing is not taught on a wide level as a whole -- although it's growing -- so when you specialize in Celtic stuff in particular, you're basically making it that much more rare."
Manuals on Celtic martial arts date as far back as the 1300s and detail sword-fighting techniques, Richardson said. Celtic fencing techniques used by the Irish, Scottish and Welsh in battle were shaped by sword-fighting tactics used throughout Europe.
Bailey studied Celtic martial arts with books, on the Internet and under the direction of historical fencing masters.
"I definitely have a passion for this," he said. "It's not a competition-oriented class. It's all about learning."
Replicas of weapons used in class
Since Bailey's class began last fall, many area residents with both Celtic and non-Celtic ancestry have enrolled. The class has drawn as many as 30 students, and two nine-week sessions began this week.
Replicas of Celtic weaponry are used in the class. They include a quarterstaff; a wooden stick, 6 feet to 9 feet long; a claymore, a two-handed sword with a 5-foot wooden blade (steel blades are used by advanced students for cutting exercises); a Lochaber ax, a 6-foot wood pole with a leather ax blade on top; and a great stick or walking stick, a 5-foot wooden pole.
Students in the class wear a variety of equipment such as kilts, fencing jackets, masks, gloves, kneepad and leather armor over their forearms and collarbones. Only the most advanced students spar and wear shields.
Classes generally consist of stretching, blocking, punching and kicking, as well as sword footwork, solo sword drills, and two-person drills with prearranged strike-and-defend movements.
As a student of the Eastern martial arts, Bailey placed third in fighting in traditional Japanese karate at the 1987 USA Karate Pacific League Championships in Portland. He now uses Okinawan Shito-Ryu martial arts to teach his students unarmed fighting techniques to compensate for the lack of detailed writings on historic Celtic hand-to- hand combat.
The physical movements of Celtic sword fighting and unarmed Okinawan Shito-Ryu martial arts are almost identical, Bailey said.
"The geometry and physics don't know any racial or cultural boundaries -- only people do," he said.
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